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Translation, Poetics, and the Stage




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This book establishes an analytical model for the description of existing translations in their historical context within a framework suggested by systemic concepts of literature.

It argues against mainstream 20th-century translation theory and, by proposing a socio-cultural model of translation, takes into account how a translation functions in the receiving culture.

The case studies of successive translations of &quote;Hamlet&quote; in France from the eighteenth century neoclassical version of Jean-Francois Ducis to the 20th-century Lacanian, post-structuralist stage production of Daniel Mesguich show the translator at work.

Each chapter focuses on a different aspect of the changing theatrical and literary norms to which translators through the ages have been bound by the expectations both of their audiences and the literary establishment.



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